Showing posts with label News. Show all posts
Showing posts with label News. Show all posts

Monday, August 17, 2009

Kareena Kapoor

Kareena Kapoor (Hindi: करीना कपूर; born on September 21, 1980), often informally referred to as Bebo, is an Indian film actress who appears in Bollywood films. Born into a film family where both her parents

Randhir Kapoor and Babita, and her elder sister Karisma were actors, Kapoor faced the media spotlight from a very young age. However, she did not make her acting debut until the 2000 film Refugee, which earned her the Filmfare Best Female Debut Award. Her melodrama Kabhi Khushi Kabhie Gham became India’s highest grossing film in the overseas market in 2001 and is her biggest commercial success to date.

After receiving negative reviews for a series of repetitive roles between 2002 and 2003, Kapoor accepted more demanding roles to avoid beingtypecast, and consequently was recognized by critics for displaying greater versatility between 2004 and 2006. Her portrayal of a sex worker in Chameli (2004) proved to be the turning point in her career and garnered her the Filmfare Special Performance Award. She later received two Critics Awards for Best Actress at the Filmfare ceremony for her performances in the critically acclaimed Dev (2004) and Omkara (2006).

In 2007, Kapoor earned a Filmfare Best Actress Award for her performance in the Imtiaz Ali directed romantic comedy film, Jab We Met. Although the box office earnings of her films have varied considerably, Kapoor has established herself as one of the leading contemporary actresses in the Hindi film industry. Kapoor’s off-screen life is subject to wide media coverage in India with frequent press coverage of her and boyfriend, actor Saif Ali Khan and speculation of a possible marriage.

Early life and family

Born in Mumbai, India into the Kapoor film family of Punjabi Khatri origin, Kapoor is the youngest daughter of actors Randhir Kapoor and Babita (née Shivdasani). She is the granddaughter of actor and filmmaker Raj Kapoor, great-granddaughter of Prithviraj Kapoor, sister of actress Karisma Kapoor and niece of actor Rishi Kapoor. According to Kapoor, the name “Kareena” was derived from the book Anna Karenina, which her mother read while she was pregnant with her. She is also often informally referred to as Bebo.

As children, the Kapoor sisters dreamed of becoming actresses. Kapoor was particularly inspired by Nargis and Meena Kumari. However, despite her family background, her father disapproved of women acting because he believed it to be incompatible with their duty to the family. This led to conflict between her parents, and Kapoor’s mother ultimately left her father. Kapoor was raised in Lokhandwala by her mother who worked several jobs to support her daughters until Karisma debuted as an actress in 1991.

Kapoor attended Jamnabai Narsee School in Mumbai before progressing to Welham Girls Boarding School in Dehradun. She studied commerce for two years at the Mithibai College in Vile Parle, Mumbai. However, she disliked her term there and studied only because she was close to her family. Kapoor then registered for a three-month summer course in microcomputers at Harvard University in the United States. She later developed an interest in law and enrolled at the Government Law College in Churchgate. However, after completing one year at Churchgate, Kapoor returned to her initial plan to become an actress and began training at the Kishore Namit Kapoor’s Acting Institute.

Career

Debut and breakthrough, 2000-2003

Kapoor was initially scheduled to make her debut in Rakesh Roshan’s Kaho Naa… Pyaar Hai (2000), opposite the director’s son Hrithik Roshan. However, several days into the filming, she abandoned the project and later explained that “It was probably destined that I was not to be in the film. After all, it was a launch for his son. The whole focus was on the boy. Now I am glad I did not do the movie.”

Kapoor made her debut later that year in J.P. Dutta’s war drama Refugee. Set during the Indo-Pakistani war of 1971, the film centers on a man known simply as Refugee (played by debutant Abhishek Bachchan) who illegally transports civilians back and forth across the Indo-Pakistani border. Kapoor played Naaz, a Bangladeshi girl who falls in love with Refugee while illegally migrating to Pakistan. Her debut performance was acclaimed by critics; Taran Adarsh of indiaFM wrote, “Kareena Kapoor has a magnetic personality, which will make the viewer fall in love with her instantly. What surprises you is the ease with which she emotes the most difficult of scenes […] There’s no denying the fact that she is a natural performer who is very camera friendly.”[20] Refugee was the fifth-highest grossing film in India in 2000, and Kapoor’s performance earned her the Filmfare Best Female Debut Award.

Kapoor’s first role in 2001 was in the romantic drama Mujhe Kucch Kehna Hai, which became one of the highest earners of the year. A review in The Hindu noted that, “Kareena is definitely the actress to watch out for, if her debut with Abhishek in Refugee and now Mujhe Kucch Kehna Hai are any indication […] Kareena shines throughout the flick, with the grace of a seasoned sizzler already.”She next starred in Subhash Ghai’s family drama Yaadein alongside Jackie Shroff and Hrithik Roshan. The drama centers on the character of Raj Singh Puri, a middle-class man and his daughters’ marriages. Kapoor played the part of the youngest daughter and Roshan’s love interest, Isha Singh Puri. Upon release, the film met with mixed critical reaction and garnered poor box office returns.Kapoor then appeared in the Abbas-Mustan thriller Ajnabee. The film, based on Consenting Adults (1992),was a moderate box office success in India.

Later in the year, she starred in Santosh Sivan’s period epic Asoka, a partly fictionalized account of the life of Ashoka the Great. The film had a strong release in the United Kingdom and North America, and was screened at the Venice Film Festival and the 2001 Toronto International Film Festival. Featured opposite Shahrukh Khan who played Ashoka, Kapoor portrayed the character of Kaurwaki, a princess of Kalinga with whom Ashoka falls in love. While the film received generally positive reviews, Kapoor’s performance received a mixed reaction from some critics. Rediff.com concluded, “While a large portion of the first half is focused on the emerging romance between the runaway prince and herself and to their credit they do manage to whip up some on-screen chemistry, I am still unsure as to her acting abilities”. Nonetheless, her performance was praised by some critics and earned her a first nomination for Best Actress at the Filmfare Awards.


Kapoor’s final release of 2001 was the drama Kabhi Khushi Kabhie Gham, directed by Karan Johar. The film, which featured an ensemble cast of Amitabh Bachchan, Jaya Bachchan, Shahrukh Khan, Kajol and Hrithik Roshan, emerged as the second-highest-grossing film of the year in India and Kapoor’s biggest commercial success, with a domestic total ofRs 490 million (US$ 10.09 million). It also performed well internationally and became India’s second biggest Bollywood success of all time in the overseas market, earning overRs 350 million (US$ 7.21 million). Her performance as “Poo” was well-received by critics and earned her a Filmfare Best Supporting Actress nomination.

During 2002 and 2003, Kapoor experienced a slump in her career. She featured in six films — Mujhse Dosti Karoge!, Jeena Sirf Merre Liye, Talaash: The Hunt Begins…, Khushi, Main Prem Ki Diwani Hoon, and the four-hour war epic LOC Kargil — all of which proved critically and commercially unsuccessful in India. Kapoor’s performances were often identified by many critics as unoriginal and repetitive, with little inspiration. They expressed concern that she was becoming typecast but these negative reviews were fundamental in motivating her to improve her integrity as an actress in subsequent years by accepting more demanding roles.

Turning point, 2004–2006

Following the negative period in Kapoor’s career, 2004 marked the beginning of her work in more serious films, most of which would bring her critical acclaim rather than commercial success. Under the direction of Sudhir Mishra, Kapoor played a prostitute in Chameli opposite Rahul Bose. The film relates the story of a young prostitute who meets with a widowed investment banker and follows the development of their relationship as they share their devastating life experiences. Chameli received predominantly positive reviews and Kapoor’s performance was generally well-received by critics, with the Indiatimes praising Kapoor’s “intuitive brilliance” and stating that she had exceeded all expectations. However, another reviewer expressed concern that they found her portrayal unconvincing and excessively stereotypical, describing her as, “sounding more like a teenager playacting than a brash, hardened streetwalker” and likening her mannerisms to that of a caricature. Nonetheless, Kapoor’s performance garnered her the Filmfare Special Performance Award and marked a change in direction in her career as an actress.

Kapoor then appeared alongside Amitabh Bachchan and Fardeen Khan in Govind Nihalani’s critically acclaimed film Dev, which revolved around the2002 Hindu-Muslim riots in the Indian state of Gujarat. Kapoor’s role was that of a Muslim victim named Aaliya, modelled after Zahira Sheikh, a key witness in Vadodara’s Best Bakery case. The film earned her a Filmfare Critics Award for Best Performance, as well as nominations for Best Actressat various award ceremonies. Taran Adarsh commented, “Kareena Kapoor is first-rate. Sporting a deglamorized look, the actress takes a giant leap with this film. Her scene with Amitabh Bachchan (when the latter asks for witnesses to come forward) is an example of superb acting.”

Shortly afterwards, Kapoor was cast in her first villainous role in the thriller Fida opposite Shahid Kapoor and Fardeen Khan. The film deals with Internet theft and the Mumbai underworld with which her character Neha Mehra becomes involved. Although the film failed commercially, Kapoor received positive reviews for her performance, with some critics noting a distinct progression from her earlier roles. Her subsequent releases that year included Abbas-Mustan’s moderately successful thriller Aitraaz and Priyadarshan’s comedy Hulchul, her first box office success since 2002.

In 2005, she starred in the Dharmesh Darshan directed drama Bewafaa. Kapoor played the role of the Indo-Canadian Anjali, who marries her sister’s husband after her death, but is unsatisfied with the ensuing married life and resumes a relationship with her previous boyfriend. The film received mostly negative reviews and Kapoor’s performance was not well-received. Nikhat Kazmi of Indiatimes believed that in an effort to become a serious actress, Kapoor was embodying a maturer, more jaded character ahead of her years in Bewafaawhich appeared peculiar for a young girl of her age.

Later that year, she appeared in Priyadarshan’s romantic drama Kyon Ki. The drama, set in a psychiatric hospital, relates the love story of a mentally ill patient, played by Salman Khan, and his physician, played by Kapoor. The film was a box office failure, though Kapoor’s performance was generally well-received by critics, with the BBC reporting, “It goes without saying that she is a pure natural when it comes to acting.” Kapoor then featured in the romance Dosti: Friends Forever alongside Akshay Kumar, Bobby Deol, and Lara Dutta. While not a success in India, the film became the highest-grossing Bollywood film of 2005 in the United Kingdom.


In 2006, Kapoor appeared in three films. She first starred in the thriller 36 China Town followed by the comedy Chup Chup Ke; both films performed reasonably well. She next portrayed the Shakespearean character of Desdemona in Omkara, the Hindi adaptation of William Shakespeare’s Othello. Directed by Vishal Bhardwaj, the film is a tragedy of sexual jealousy set against the backdrop of the political system in Uttar Pradesh.The film premiered at the 2006 Cannes Film Festival and was also selected for screening at the Cairo International Film Festival. Omkara was well-received by critics and Kapoor’s performance was critically acclaimed, earning her a fourth Filmfare Award and first Star Screen Award. Rediff.comconcluded, “Her character is one of the hardest to essay, as she goes through love and awe, fear and bewilderment, defiance to her father and submission to her man. Kareena doesn’t have the lines, but she has moments demanding powerful use of expression, and she delivers.” Kapoor herself considers her role in Omkara as a “new benchmark” in her career and has made comparisons between her portrayal of Dolly and her own evolving maturity as a woman.

Recent work, 2007–present


In 2007, Kapoor starred opposite Shahid Kapoor in Imtiaz Ali’s romantic comedy Jab We Met. Relating the story of two people with contrasting personalities who meet on a train and eventually fall in love, Kapoor played the female protagonist Geet Dhillon, a vivacious Sikh girl with a strong zest for life. The film was received favourably by critics and became one of the year’s most successful films, earning a domestic total ofRs 303 million (US$ 6.24 million).Kapoor won several awards for her performance, including a Filmfare Best Actress Award and her second Star Screen Award for Best Actress. Rajeev Masand from CNN-IBN noted, “Uninhibited and spontaneous, Kareena Kapoor is the soul of this picture, its biggest strength, as she brings alive her character with not just those smart lines, but with the kind of candor actors seldom invest in their work.”

Following Jab We Met, Kapoor featured alongside Akshay Kumar, Saif Ali Khan, and Anil Kapoor in the action-thriller Tashan (2008). Though anindiaFM poll named it the most anticipated film of the year,Tashan eventually became a commercial and critical failure. Kapoor next provided her voice for the character of Laila, the love interest of a street dog named Romeo, in the Yash Raj Films and Walt Disney Pictures animated filmRoadside Romeo. It was the second Bollywood film to receive a North American release by a Hollywood studio. In preparation for her role, Kapoor viewed several Hollywood animated films to analyse how actors delivered their dialogues.Kapoor was criticised for failing to promote the film as she ventured into other projects.

Kapoor next starred in Rohit Shetty’s comedy Golmaal Returns, the sequel to the 2006 film Golmaal. A part of an ensemble cast that included Ajay Devgan, Arshad Warsi, Tusshar Kapoor, Shreyas Talpade, Amrita Arora, Celina Jaitley, and Anjana Sukhani, Kapoor played a distrustful wife who believed her husband to be unfaithful. The film received a mixed reception from critics and Kapoor herself received mixed reviews. The Indian Express believed the screenplay was unoriginal, concluding, “There is nothing particularly new about a suspicious wife keeping tabs on her husband, and there is nothing particularly new in the way Kareena plays it.” Golmaal Returns was nonetheless a major financial success, with revenues of overRs 500 million (US$ 10.3 million) domestically.

In 2009, Kapoor appeared in Sabbir Khan’s romantic drama Kambakkht Ishq alongside Akshay Kumar. The film, which explores the relationship between two different individuals, became the first Indian film in history to be shot within Universal Studios Hollywood, California and featured several cameo appearances from Hollywood actors.Kapoor portrayed the character of Simrita Rai, a part-time supermodel and an aspiring surgeon. Upon release, the film met with negative reviews and Kapoor’s performance was not well-received. The Times of Indiadescribed her performance as “a complete let-down” and further stated that “she comes across as a completely unconvincing supermodel cum surgeon.” The film was an economic success nonetheless, earning over Rs 650 million (US$ 13.39 million) worldwide.

As of August 2009, Kapoor has completed filming for Prem Soni’s drama Main Aur Mrs. Khanna in which she is to star alongside Salman Khan. She was cast as the lead in Rajkumar Hirani’s Three Idiots, which began principal photography in July 2008. The romantic comedy film Milenge Milenge is also scheduled for a late 2009 release, having been postponed since 2005.

Other work

During her years in the film industry, Kapoor has also devoted time to other commitments, from being involved with humanitarian causes to participating in stage shows. In 2002, Kapoor set off on her first world tour, the Heartthrobs Concert, alongside Hrithik Roshan, Karisma Kapoor, Arjun Rampal, and Aftab Shivdasani. The show was performed throughout the US and Canada and went on to become a success. In November 2003, Kapoor performed at the Marco Ricci Each One Reach One Benefit Concert, a fundraiser for the World Youth Peace Summit, whilst in 2005, along with other Bollywood stars, she took part in the HELP! Telethon Concert to help raise money for the victims of the 2004 Indian Ocean earthquake.Later that year, she visited the desert heartland of Rajasthan to boost the morale of the jawans for a special Holi weekend episode on the NDTV show, Jai Jawan. The show consists of entertainers and stars visiting Indian troops in isolated regions along with the NDTV team.

In 2006, Kapoor took part in the Rockstars Concert world tour, along with Salman Khan, Zayed Khan, John Abraham, Shahid Kapoor, Esha Deol and Mallika Sherawat. The following year, Kapoor, along with Priyanka Chopra, donated her half-share of five million rupees from her winnings on Kaun Banega Crorepati (India’s version of Who Wants to Be a Millionaire?) to St. Anthony’s Old Age Home and Mount Mary’s Bandra.In June 2008, Kapoor appeared on the game show Kya Aap Paanchvi Pass Se Tez Hain? alongside boyfriend Saif Ali Khan, and donated half of her Rs. 5,000,000 (US$ 103,000) winnings to St. Anthony’s Old Age Home, Bandra. In 2009, she once again donated her winnings of Rs. 1,000,000 (US$ 20,600) from 10 Ka Dum to St. Anthony’s Old Age Home.

Kapoor has endorsed several brands, including Kurkure and the clothing chain Globus. Kapoor is the Globus brand ambassador and features in its advertisements; since her start, the brand has experienced a 75 percent increase in sales.

Personal life

Kapoor has been linked to several of her co-stars, but she has denied all these rumors. In 2004, she began dating actor Shahid Kapoor, the son of veteran actor Pankaj Kapoor. While dating, their relationship was often reported in the media until the couple separated while filming Jab We Met in 2007.Although the parting was amicable, the press continues to report conflicts between the former couple and their new partners. In September 2007, during her breakup with Kapoor, speculation began surfacing that she was engaged in a new relationship with Saif Ali Khan. On October 18, 2007, during Manish Malhotra’s grand finale show at the Lakme Fashion Week, Khan confirmed their relationship to the media. Their relationship is frequently reported on in the media, and is often subject to press contemplation of a possible marriage between the couple.


Kapoor is very close to her family and has resided with her mother Babita for much of her life. Kapoor and her mother lived together in Lokhandwalaand then at Park Avenue in Bandra, Mumbai for several years, and in 2008 Kapoor and her mother purchased adjacent flats in Khar, Mumbai designed by Akshay Kumar’s wife Twinkle Khanna. Kapoor says she is an avid reader and swimmer in her leisure time.

Kapoor’s weight and diet have often been scrutinized by the media. In 2006, Kapoor declared that she was becoming a vegetarian to keep her weight in check. Kapoor has denied rumours that she is suffering from anorexia and has attributed her weight loss to yoga and a closely-monitored, balanced diet. When Kapoor lost weight and collapsed on set during the filming of Tashan in 2008, media speculation about her health was rampant. She dismissed the incident as a minor health scare.

Filmography

Year Film Role Other notes
2000 Refugee Nazneen “Naaz” M. Ahmed Winner, Filmfare Best Female Debut Award
2001 Mujhe Kucch Kehna Hai Pooja Saxena
Yaadein Isha Singh Puri
Ajnabee Priya Malhotra
Asoka Kaurwaki Nominated, Filmfare Best Actress Award
Kabhi Khushi Kabhie Gham Pooja “Poo” Sharma Nominated, Filmfare Best Supporting Actress Award
2002 Mujhse Dosti Karoge! Tina Kapoor
Jeena Sirf Merre Liye Pooja/Pinky
2003 Talaash: The Hunt Begins… Tina
Khushi Khushi Singh (Lali)
Main Prem Ki Diwani Hoon Sanjana
LOC Kargil Simran
2004 Chameli Chameli Winner, Filmfare Special Performance Award
Yuva Mira
Dev Aaliya Winner, Filmfare Critics Award for Best Performance
Playback singing for the song Jab Nahi Aaye The Tum[102]
Fida Neha Mehra First villain role
Aitraaz Priya Saxena/Malhotra
Hulchul Anjali
2005 Bewafaa Anjali Sahai
Kyon Ki Dr. Tanvi Khurana
Dosti: Friends Forever Anjali
2006 36 China Town Priya
Chup Chup Ke Shruti
Omkara Dolly R. Mishra Winner, Filmfare Critics Award for Best Performance
Nominated, Filmfare Best Actress Award
Don – The Chase Begins Again Kamini Cameo
2007 Kya Love Story Hai Herself Special appearance in song It’s Rocking
Jab We Met Geet Dhillon Winner, Filmfare Best Actress Award
2008 Halla Bol Herself Special appearance
Tashan Pooja Singh
Roadside Romeo Laila (voice) Voice over for first animated film
Golmaal Returns Ekta
2009 Luck by Chance Herself Special appearance
Billu Herself Special appearance in song Marjaani
Kambakkht Ishq Simrita Rai
Main Aur Mrs. Khanna Raina Khanna Post-production
Milenge Milenge Priya Post-production
Three Idiots Neha Filming
Kurbaan


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Ekta Kapoor

Ekta J Kapoor (एकता कपूर:Hindi)(ايڪتا ڪپوُر : Sindhi/Urdu) is an Indian TV producer. She was born on June 7, 1975, is the creative head of Balaji Telefilms.

She is the daughter of actor Jeetendra and Shobha Kapoor, also the sister of actor Tusshar Kapoor. She is single, unmarried.

Kareer

Ekta Kapoor has produced and co-produced numerous soap operas, television series and movies. Her most famous television venture has been Kyunki Saas Bhi Kabhi Bahu Thi, which started airing on STAR Plus in 2000. Since then, the show has continuously been among the top rated programs on Indian television. It was pulled off air for its dipping TRP’S and by a court order in 2008 for its inability to attract audience. Today, Most of her creations begin with the letter “K” due to her superstition that it brings her good luck and fantastic reputation but most recently she has decided to take away from “K” and has started some soap operas with different letters as she did earlier in her career. Some of her other popular creations are Kahaani Ghar Ghar Kii, Kasautii Zindagii Kay, Kkusum, Kis Desh Mein Hai Meraa Dil, Kitani Mohabbat Hai and Kasamh Se. She has also produced five Bollywood movies out of which yaa Kool Hai Humstarred by brother Tusshar Kapoor. After yaa Kool Hai Hum, she also co-produced Shootout at Lokhandwala with White Feather Films, Mission Istanbul and recently produced Golmaal Returns.

Productions

  • To see a list of productions, see Balaji Telefilms.

Ekta Kapoor has produced several TV serials, most of which continue to air on her first network STAR Plus till recently only being left two. While some of her other productions air on Sony Entertainment Television, Zee TV and the new television channels 9X, NDTV Imagine and Colors TV.




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Kishore Kumar

Kishore Kumar (Bengali:কিশোর কুমার, Hindi: किशोर कुमार) (August 4, 1929October 13, 1987) was Indian film playback singer and actor

Along with Mukesh and Mohammed Rafi, he dominated Indian film playback music from the 1950s to the 1970s. Kumar also achieved notable success as a lyricist, composer, producer, director, screenwriter and scriptwriter.

Kishore Kumar was a prolific vocalist and sang in many Indian languages including Hindi, Bengali, Marathi, Assamese, Gujarati, Kannada,Bhojpuri, Malayalam and Oriya. He is also widely regarded as the most versatile singer in the history of Indian cinema and a maverick of sorts for lending his voice to songs that did not conform to the norms of the day.

In October 1987, he died following a massive heart attack. He had been married four times and is survived by his two sons Amit Kumar, who made his career in playback singing in Bollywood and Bengali films, and Sumit Kumar.

Early life

Kishore Kumar, called Abhas Kumar Ganguly in his childhood, was born in a Bengali family in the Khandwa town of Central Provinces and Berar, British India (now in the Indian state ofMadhya Pradesh).His real name is Abhas Kumar Ganguly. His father Kunjalal Ganguly was a lawyer and his mother Gouri Devi came from a wealthy family. Kishore Kumar was the second youngest of four siblings, the other three being Ashok Kumar (the eldest), Sati Devi, and Anoop Kumar. While Kishore Ganguly was still a child, Ashok Kumar became a popular Bollywood actor. Later, Anoop Kumar also ventured into cinema with the help of Ashok Kumar. Spending time with his brothers, Kishore Kumar too started to take a keen interest in movies and music. He became a fan of singer-actor Kundan Lal Saigal (whom he considered his guru).

Career

After Ashok Kumar became a Bollywood star, the Ganguly family used to visit Mumbai regularly. Abhas Kumar changed his name to Kishore Kumar and started his cinema career as a chorus singer at Bombay Talkies, where his brother worked. His first film as an actor was Shikari (1946), in which Ashok Kumar played the lead role. Music director Khemchand Prakash gave him a chance to sing the song Marne ki duayen kyon mangu for the film Ziddi (1948). After this, Kishore Kumar got many other assignments, but he was not very serious about a film career.[1] In 1949, he decided to settle in Mumbai.

Kishore Kumar played hero in the Bombay Talkies film Andolan (1951), directed by Phani Majumdar. Although Kishore Kumar got some assignments as an actor with help of his brother, he was more interested in becoming a successful singer. He was not interested in acting, but his elder brother Ashok Kumar wanted him to be an actor like himself.[2]

He starred in Bimal Roy’s Naukri (1954) and Hrishikesh Mukherjee’s directorial debut Musafir (1957). Salil Chowdhury, the music director for Naukri was initially dismissive of him as a singer, when he came to know that Kishore Kumar didn’t have any formal training in music.[3] However, after hearing his voice, he gave him the song Chhota sa ghar hoga, which was supposed to be sung by Hemant Kumar.

Rise to fame

After facing difficulties in the initial stage of his acting career, Kishore Kumar achieved success as a comic hero with movies like New Delhi (1957), Aasha (1957), Chalti Ka Naam Gaadi(1958), Jhumroo (1961), Half Ticket (1962), and Padosan (1968). Chalti Ka Naam Gaadi, his home production, starred the three Ganguly brothers, and Madhubala. The film is about romance between a city girl (Madhubala) and a car mechanic (Kishore Kumar), with a subplot involving eccentric brothers.

Music director S. D. Burman is credited with spotting Kishore Kumar’s talent as a singer, and advancing his singing career. During the making of Mashaal (1950), Burman visited Ashok Kumar’s house, where he heard Kishore imitating K. L. Saigal. He complimented Kishore, but also told him that he should develop a style of his own, instead of copying Saigal.[2] Kishore Kumar did not have a formal training in music.[4] He kept Burman’s advice in mind, and eventually developed his own style of singing, which prominently featured the yodeling that he had heard on some records bought by his brother Anoop.Though, Mohammed Rafi introduced yodelling in Hindi cinema as a playback kishore kumar made yodeling his trademark.Mohammed Rafi yodelled in songs “Hello sweety seventeen” (duet with Asha Bhosle), “O Chale ho kaha”, “Dilke Aine main”, and “Unse Rippy Tippy Ho gayee” (duet with Geeta Dutt),while kishore kumar yodelled in the movie Adhikar (1954) but not as playback,it is the song which can be seen in the Zindagi Ka Safar documentary on Kishore Kumar. The other yodeled songs are Main Hoon Jhumroo and Thandi Hawa Yeh Chandni from Jhumroo, Nakhrewali from New Delhi, Tum Bin Jaoon Kahan from Pyar Ka Mausam, and Zindagi Ek Safar Hai Suhana from Andaz(1971), Thodi Si Jo Pi Lee Hai from Namak Halal (1982) are excellent examples of yodeling.

Kishore Kumar was a rebellious singer. He sang in unorthodox style and created a style of his own very much different from the singing style of playback singers of his era and even the post Kishore era. He rarely did alaps in aa aa but used he ha ha. He practised taan very rarely, but took subtle variations as demonstrated in the songs Jab Bhi Koi Kangana Bole andAankhon Mein Humne Aapke Sapne Sajaye Hain.

S. D. Burman recorded with Kishore for Dev Anand’s Munimji (1954), Taxi Driver (1954), House No. 44 (1955), Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide (1965),Jewel Thief (1967), Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kishore Kumar’s home production Chalti Ka Naam Gaadi (1958). Some of their initial hits included Maana Janaab Ne Pukara Nahin from Paying Guest, Hum Hain Rahi Pyar Ke from Nau Do Gyarah (1957), Ai Meri Topi Palat Ke Aa from Funtoosh, and Ek Ladki Bheegi Bhaagi Si and Haal Kaisa Hai Janaab Ka from Chalti Ka Naam Gaadi (1958). When S. D. Burman was not on good terms with Lata Mangeshkar during 1957-62, he gave patronage to her younger sister, Asha Bhosle. The Asha Bhosle-Kishore Kumar duets composed by S. D. Burman also became very popular. Some of these include Chhod Do Aanchal from Paying Guest (1957),Ankhon Mein Kya Ji from Nau Do Gyarah (1957), Haal Kaisa Hai Janaab Ka and Paanch Rupaiya Baara Aana from Chalti Ka Naam Gaadi (1958), Chhedo Na Meri Zulfein from Ganga Ki Lahren (1964), and Arre Yaar Meri Tum Bhi Ho Gajab from Teen Deviyan (1965).

C. Ramchandra was another music director who recognized Kishore Kumar’s talent as a singer.[3] One of the most popular C. Ramchandra-Kishore Kumar hits is Eena Meena Deeka fromAasha (1957). Kishore Kumar also gave a few hit songs with other music directors; for example, Nakhrewaali from New Delhi (1956) by Shankar Jaikishan, and C.A.T. Cat Maane Billi andHum To Mohabbat Karega from Dilli Ka Thug (1958) by Ravi.

Kishore Kumar produced, directed, and acted in the film Jhumroo (1961). He wrote the lyrics for the title song, Main Hoon Jhumroo, and composed music for all the songs in the film. Later, he produced and directed the serious film Door Gagan Ki Chhaon Mein (1964). He also wrote the script and composed music for the film. The film is based on the relationship between a father (Kishore Kumar), and his deaf and mute son (played by his real-life son, Amit Kumar). The movie achieved critical success, which perhaps motivated him to make another two films called Door Ka Rahi (1971) and Door Waadiyon Mein Kahin (1980).

In the 1960s, as an actor, Kishore Kumar built up a notoriety for coming late for the shootings, or bunking them altogether.. His films flopped frequently, and he also landed in income tax trouble. As a singer, he had some hit songs to his credit, including Zaroorat Hai Zaroorat Hai from Manmauji (1961), Gaata Rahe Mera Dil from Guide (1964), and Yeh Dil Na Hota Bechara from Jewel Thief (1967).

In the late 1960s, S. D. Burman’s son, Rahul Dev Burman started patronising Kishore Kumar. Their first notable success was the soundtrack of the film Padosan (1968), in which Kishore Kumar sang the popular songs Mere Saamne Wali Khidki Mein and Kehna Hai. Padosan was a comedy film starring Kishore Kumar as a dramatist-musician, Mehmood as a Carnatic music and dance teacher, and Sunil Dutt as a simpleton named Bhola. Kishore Kumar’s character in the film was inspired by the personality of Kishore’s own uncle, Dhananjay Bannerjee (a classical singer). The highlight of the film was a musical, comical duel between Kishore Kumar-Sunil Dutt and Mehmood, Ek Chatur Nar Karke Singaar.

Rise as the popular playback singer

In 1969, Shakti Samanta produced and directed the film Aradhana, for which the music was composed by S. D. Burman. S. D. Burman fell ill after recording some duet songs withMohammed Rafi, Asha Bhosale, Lata Mangeshkar and Kishore Kumar. Afterwards, his son and assistant R. D. Burman took over the recording. R. D. Burman got Kishore Kumar to solo sing the songs Mere Sapno Ki Rani and Roop Tera Mastana, which became smash hits. Kishore Kumar won his first Filmfare award for the song Roop Tera Mastana.

Kishore Kumar sang for all leading actors in 1970s, including Rajesh Khanna, Amitabh Bachchan, Dharmendra, Sanjeev Kumar, Dev Anand, and Rishi Kapoor.

S. D. Burman and Kishore continued to churn out several hit songs together, including Phoolon Ke Rang Se and Shokhiyon Mein Ghola Jaaye from Prem Pujari (1969), Aaj Madhosh Hua Jaaye Re, Khilte Hain Gul Yahan and O Meri Sharmilee from Sharmilee (1971), Meet na mila from Abhimaan (1973), Pyaar Ke Is Khel Mein from Jugnu. In 1975, S. D. Burman composed his last song for Kishore Kumar. S. D. Burman went into a coma for the second time, soonafter Kishore recorded the song Badi Sooni Sooni Hai Zindagi for the film Mili.[3]

R. D. Burman considered Kishore Kumar his favorite singer, and recorded several hit songs with him in the 1970s. In the superhit Bollywood film, Sholay (1975), he asked Kishore Kumar to sing for both Dharmendra. Some of the popular Kishore Kumar-R. D. Burman songs include O Maajhi Re from Khushboo, Yeh Shaam Mastaani and Yeh Jo Mohabbat Hai from Kati Patang(1971), Kuchh To Log Kahenge from Amar Prem (1972), Raat Kali Ek Khwab Mein Aayi from Buddha Mil Gaya (1971), Musafir Hoon Yaaron from Parichay (1972), Diye Jalte Hain fromNamak Haraam (1973), Meri Bheegi Bheegi Si from Anamika (1973), Zindagi Ke Safar Mein from Aap Ki Kasam (1974), Agar Tum Na Hote, Humein Tum Se Pyaar Kitna from Kudrat, Mere Naina Saawan Bhadon from Mehbooba, and Chingari Koi Bhadke (Amar Prem), Jab Bhi Koi Kangana from Shaukeen (1986). The song Humen Tumse Pyar Kitna is notable as Kishore Kumar has sung a light romantic version, while the classical “Thumri”-style version is sung by the famous classical singer Begum Parveen Sultana, but the light romantic version has received greater popular acclaim. R. D. Burman also recorded several hit duets pairing Kishore Kumar with Asha Bhosle and with Lata Mangeshkar. Some of these duets include Panna Ki Tamanna from Heera Panna (1973), Neend Chura Ke Raaton Mein from the film Shareef Budmaash, Kya Yehi Pyaar Hai from Sanjay Dutt’s debut film Rocky (1981), Sagar Kinare fromSagar in [1985], Aap Ki Aankhon Mein Kuchh from Ghar, Jaane Ja Dhoondta and Nahi Nahi from Jawani Diwani, Kharoshoo from Harjai (1982).

Apart from the Burmans, Kishore Kumar worked with other major music directors as well. The composer duo Laxmikant-Pyarelal (L-P) also composed many hit songs sung by Kishore Kumar. Some of their hit songs include Mere Mehboob Qayamat Hogi from Mr. X In Bombay, Mere Naseeb Mein Aye Dost from Do Raaste, Yeh Jeevan Hai from Piya Ka Ghar, Mere Dil Mein Aaj Kya Hai from Daag: A Poem of Love, Nahi Mai Nahi Dekh Sakta from Majboor, Mere diwanepan ki bhi from Mehboob Ki Mehndi, Naach Meri Bulbul from Roti, Chal Chal Mere Haathi from Haathi Mere Saathi, Gaadi Bula Rahi Hai from Dost, Ruk Jaana Nahi from Imtihaan, Ek Ritu Aaye from Gautam Govinda, My Name Is Anthony Gonsalves from Amar Akbar Anthony Bahut Khoobsurat Jawan Ek Ladki from Dostana and Om Shanti Om as well as Paisa Yeh Paisa from Karz. L-P, whose favorite singer was Lata Mangeshkar, also composed several hit Kishore-Lata duets, including Achchha To Hum Chalte Hain from Aan Milo Sajna, Gore Rang Pe Na Itna from Roti, Main Solah Baras Ki from Karz, and Din Mahine Saal fromAvtaar, Tu Kitne Baras Ki from Karz. L-P also got Kishore Kumar and Rafi to sing duets for the films Dostana, Ram Balram and Deedaar-E-Yaar. L-P composed a sizzling Rainy duet of Kishore Kumar with Alisha Chinoy, I love you (Kaate Nahin Katate Yeh Din Yeh Raat) from Mr. India in (1987). Salil Chowdhury recorded excellent and difficult songs like Koi Hota Jisko Apna from Mere Apne and Gujar Gaye Din Din from Annadata. Ravindra Jain recorded Ghungroo Ki Tarah, and the duet Tota Maina Ki Kahani from Fakira. Khaiyyaam recorded beautiful duets with Lata Mangeshkar such as Hazar Rahein from Thodisi Bewafai, Aankhon Mein Humne Aapke Sapne Sajaye Hain, Chandani Raat Mein Ek Bar. Hridaynath Mangeshkar recordedZindagi Aa Raha Hoon Main from Mashaal. Kalyanji-Anandji recorded several hit songs with Kishore Kumar including Zindagi Ka Safar and Jeevan se na haar Jeenewale , from Safar, Pal Pal Dil Ke Paas from Black Mail, Apne Jeevan Ki Uljhan from Uljhan, Mera Jeevan Kora Kagaz from Kora Kagaz, O Saathi Re from Muqaddar Ka Sikandar, Khaike Paan Banaraswala fromDon, Neele Neele Ambar Par from Kalakar and Pal Bhar Ke Liye from Johny Mera Naam.

The new composers such as Rajesh Roshan, Sapan Chakravarty (who had earlier worked as R. D. Burman’s assistant), and Bappi Lahiri also worked with Kishore Kumar. Rajesh Roshan’s first hit film Julie featured hit songs sung by Kishore Kumar, Bhool Gaya Saab Kuchh (duet with Lata Mangeshkar) and Dil Kya Kare Jab Kisise. Their other hits include Chhookar mere man ko from Yaarana , Tune Abhi Dekha Nahin from Do Aur Do Paanch and Kab Tak Andhere Man Ko Chhalenge from Baaton Baaton Mein. Bappi Lahiri also recorded many popular songs with Kishore Kumar, including Pag Ghunghroo from Namak Halal (1982), Manzilen Apni Jagah Hai from Sharaabi (1984) and Chalte Chalte Mere Ye Geet from Chalte Chalte (1976),Saason Se Nahi Kadmose Nahi from Mohabbat in (1987) and duets with (Lata Mangeshkar)) like Taa thaiya from Himmatwala in (1984), Albela Mausam from Tohfa in (1985) and another duet Pyar Ka Tohfa from the same film.

During the Indian Emergency, Sanjay Gandhi asked Kishore Kumar to sing for a Congress rally in Mumbai, but Kishore Kumar refused. As a result, the Government put a ban on playing Kishore Kumar songs on the All India Radio or television. But, Kishore Kumar refused to apologise. Finally, the ban was lifted after some prominent producers and directors lobbied against it. The Madhya Pradesh Government honoured him with the Lata Mangeshkar award and then renamed the coveted award as Kishore Kumar award thereafter.

Later years

Kishore Kumar produced and directed some movies in the late 1970s and early 1980s, such as Badhti Ka Naam Daadhi (1978), Zindagi (1981) and Door Wadiyon Mein Kahin (1980). But none of these films did well at the box-office. His last appearance as an actor was in Door Wadiyon Mein Kahin.

With patronage from R. D. Burman and Rajesh Roshan, Kishore Kumar’s son Amit Kumar also became a leading Bollywood singer in the 1980s. Kishore Kumar also continuted singing for several actors. He also did some stage shows, apparently to earn money to pay his income tax arrears.

Kishore Kumar stopped singing for Amitabh Bachchan in the mid-1980s, after Amitabh didn’t do a guest appearance in a film produced by him but called a truce with him by singing for him in Toofan. He also temporarily stopped singing for the actor Mithun Chakraborty, after Yogeeta Bali divorced him and married Mithun. However, just like with Amitabh earlier, the two later put aside their differences as Kishore sang for him in many films like Disco Dancer, Muddat, Pyar Ka Mandir, and several others.

In mid-1980s, Kishore Kumar sang for Anil Kapoor in his Kapoor’s debut film as a leading man, Woh Saat Din and also recorded for his first superhit Mr. India. He also recorded some popular songs for the film Saagar with R. D. Burman. By this time, he had decided to retire and was planning to go back to his birthplace, Khandwa.[5] However, on October 13 1987, he died of a heart attack in Mumbai. His body was taken to Khandwa for cremation. He recorded his last song a day before he died. The song was Guru O Guru, a duet with Asha Bhosle, for the film Waqt Ki Aawaz (1988) composed by Bappi Lahiri for Mithun Chakraborty. The leading female playback singer of 21st century Alka Yagnik first became popular when she sang the duet Tumse Badhkar Duniya Mein Na Dekha from Kaamchor in (1986).

Kishore Kumar’s voice inspired many upcoming Bollywood singers, including Kumar Sanu, Abhijeet, Vinod Rathod and Babul Supriyo. After his death, many of his songs have been remixed or re-sung by several artists. The songs like Kab Tak Andhere Chalte Rahenge, Yeh Jeevan Hai, Zindagi Ka Safar, Aanewala Pal, Aa Chalke Tujhe are considered as milestones in singing. He was one of the highest paid male playback singers in Hindi Film Industry Bollywood from 1969 till his death in 1987. He has rendered some of the finest songs of his career in the later phase of his career notably, Neele Neele Amber Par from Kalakar in(1987) Humein Tumse Pyar Kitna from Kudrat, Zindagi Pyar Ka Geet Hai from Sautan, Zindagi Ki Yahi Reet Hai from Mr. India, O Yaara Tu Yaaron Se Hai Pyara and Lahron Ki Tarah Yaadein from Kash, Rah pe rahte hai from Namkeen, Bin Phere Hum Tere from Bin Phere Hum Tere from Bin Phere Hum Tere (1979), Maine Tumse Kuchh Nahi Manga from Katha in (1986), Saason se Nahi fom Mohabbat in (1987).

Kishore Kumar’s song Pal Bhar Ke Liye from the film Johny Mera Naam (1970) was used in an episode of The Simpsons titled Kiss Kiss, Bang Bangalore. His songs have also been featured in several films, including Such a Long Journey (1998) and Side Streets (1998). Sony TV organised the show K for Kishore to search a talent like Kishorekumar. The songs Dil Kya Kare and the toe-tapping number Dekha Na Haye Re Socha Na are very popular among young generation of 21st Century.

Personal life

Kishore Kumar married four times. His first wife was Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958. Kishore Kumar’s second wife was the famous actress Madhubala, who had worked with him on many films including his home production Chalti Ka Naam Gaadi (1958). When Kishore Kumar proposed to her, Madhubala was sick and was planning to go to London for treatment. She didn’t know about the condition that she was suffering from, and her father wanted her to wait and consult the London doctors first. Nevertheless, Madhubala married Kishore Kumar in 1960. Madhubala was a Muslim, and the two had a civil marriage,.

His family was against the marriage, and the couple also had a Hindu marriage to please them, but Madhubala was not accepted by them. The doctors in London told Madhubala that she would not live for long. The marriage lasted for 9 years, and ended with Madhubala’s death on February 23, 1969. Kishore Kumar’s third marriage was to Yogeeta Bali, and lasted from 1976 to August 4, 1978. Kishore Kumar was married to Leena Chandavarkar from 1980 until his death.

Kishore Kumar had two sons, Amit Kumar (playback singer) with Ruma, and Sumit Kumar with Leena Chandavarkar.

Kishore Kumar is said to have been paranoid about not being paid. During recordings, he would begin singing only after his secretary confirmed that the producer had made the payment. Once, when he discovered that his dues hadn’t been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied “Aadha paisa to aadha make-up.” (Half make-up for half payment). On the sets of Bhai Bhai, Kishore Kumar refused to act because the director M V Raman owed him five thousand rupees. His brother Ashok Kumar persuaded him to do the scene. But, when the shooting started, he walked across the floor and, each time he walked a few places, he said, “Paanch Hazzar Rupaiya,” (five thousand rupees) and did a somersault. After he reached the end of the floor, he went out of the studio, jumped into his car, and ordered his driver Abdul to drive away.

On another occasion, when the producer R. C. Talwar did not pay his dues in spite of repeated reminders, Kishore Kumar turned up at Talwar’s residence one morning and started shouting “Hey Talwar, de de mere aath hazaar” (”Hey Talwar, give me my eight thousand”). He did this every morning for a few days, until Talwar paid him.

The film Anand (1971) was originally supposed to star Kishore Kumar and Mehmood in the lead roles. One of the producers of the film, N.C. Sippy, had earlier served as Mehmood’s production manager. Hrishikesh Mukherjee, the director of the film, was asked to meet Kishore Kumar to discuss the project. However, when he went to Kishore Kumar’s house, he was driven away by the gatekeeper due to a misunderstanding. Kishore Kumar (himself a Bengali) had done a stage show organized by another Bengali man, and he was involved in a fight with this man over money matters. He had instructed his gatekeeper to drive away this “Bengali”, if he ever visited the house. When Hrishikesh Mukherjee (another Bengali) went to Kishore Kumar’s house, the gatekeeper drove him away, mistaking him for the “Bengali” that Kishore Kumar had asked him to drive away. Consequently, Mehmood had to leave the film as well, and new actors (Rajesh Khanna and Amitabh Bachchan) were signed up for the film.

In spite of his “no money, no work” principle, sometimes Kishore Kumar recorded for free even when the producers were willing to pay. He recorded for free, for some films produced byRajesh Khanna and Danny Denzongpa. On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film Dal Mein Kala (1964). When the little-known actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur. Mukherjee was one of the first persons to appreciate Kishore’s singing talent.

Many journalists and writers have written about Kishore Kumar’s seemingly eccentric behavior. Kishore Kumar had put a “Beware of Kishore” sign at the door of his Warden Road flat, where he stayed for some time while his bungalow was being done up. Once, the producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail’s hand in his mouth, bit it, and asked “Didn’t you see the sign?”. Rawail laughed off the incident and left quickly. Once, when a reporter made a comment about how lonely he must be, Kishore Kumar took her to his garden. He then named some of the trees in his garden, and introduced them to the reporter as his closest friends.

According to another reported incident, once Kishore Kumar was to record a song for the producer-director G. P. Sippy. As Sippy approached his bungalow, he saw Kishore going out in his car. Sippy pleaded him to stop his car, but Kishore only increased the speed of his car. Sippy chased him to Madh Island, where Kishore Kumar finally stopped his car near the ruinedMadh Fort. When Sippy questioned his strange behavior, Kishore Kumar refused to recognize or talk to him and threatened to call police. Sippy had to return. Next morning, Kishore Kumar reported for the recording. An angry Sippy questioned him about his behavior on the previous day. However, Kishore Kumar insisted that Sippy must have seen a dream, and claimed that he was in Khandwa on the previous day.

Kishore Kumar was also noted for defying producers and directors. Once, a producer went to court to get a decree that Kishore Kumar must follow the director’s orders. As a consequence, Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. Once, after a car scene in Mumbai, he drove on till Khandalabecause the director forgot to say “Cut”. In the 1960s, a financier called Kalidas Batvabbal, patently disgusted with Kishore Kumar’s alleged lack of cooperation during the shooting ofHalf Ticket, gave him away to the income tax authorities. Kishore had to face a raid at his house. Later, Kishore invited Batvabbal home, tricked him by asking him to enter a cupboard for a “chat” and locked him inside. He unlocked Batvabbal after two hours and told him “Don’t ever come to my house again.

Awards

Filmfare Awards

Winner:

Year ↓ Song ↓ Film ↓ Music director ↓ Lyricist ↓
1969 Roop tera mastaana Aradhana Sachin Dev Burman Anand Bakshi
1975 Dil aisa kisi ne Amanush Shyamal Mitra Indeevar
1978 Khaike Pan Banaras Wala Don Kalyanji-Anandji Anjaan
1980 Hazaar raahen mudke dekheen Thodisi Bewafaii Khayyam Gulzar
1982 Pag ghunghroo baandh Namak Halaal Bappi Lahiri Anjaan
1983 Hamen aur jeene ki Agar Tum Na Hote Rahul Dev Burman Gulshan Bawra
1984 Manzilen apni jagah Sharaabi Bappi Lahiri Anjaan
1985 Saagar Kinaare Saagar Rahul Dev Burman Javed Akhtar

Nominated:

Year ↓ Song ↓ Film ↓ Music Director ↓ Lyricist ↓
1971 Zindagi Ek Safar Andaz Shankar-Jaikishan Hasrat Jaipuri
1971 Yeh Jo Mohabbat Hai Kati Patang Rahul Dev Burman Anand Bakshi
1972 Chingari Koi Badke Amar Prem Rahul Dev Burman Anand Bakshi
1973 Mere Dil Mein Aaj Daag: A Poem of Love Laxmikant-Pyarelal Sahir Ludhianvi
1974 Gaadi Bula Rahi Hai Dost Laxmikant-Pyarelal Anand Bakshi
1974 Mera Jeevan Kora Kagaz Kora Kagaz Kalyanji Anandji M.G.Hashmat
1975 Main Pyaasa Tum Faraar Kalyanji Anandji Rajendra Krishan
1975 O Manjhi Re Khushboo Rahul Dev Burman Gulzar
1977 Aap Ke Anurodh Anurodh Laxmikant-Pyarelal Anand Bakshi
1978 O Saathi Re Muqaddar Ka Sikander Kalyanji-Anandji Anjaan
1978 Hum Bewafa Harghiz Shalimar Rahul Dev Burman Anand Bakshi
1979 Ek Rasta Hai Zindagi Kaala Patthar Rajesh Roshan Sahir Ludhianvi
1980 Om Shanthi Om Karz Laxmikant-Pyarelal Anand Bakshi
1981 Hameh Tumse Pyar Kudrat Rahul Dev Burman Majrooh Sultanpuri
1981 Choo Kar Mere Mann Yaraana Rajesh Roshan Anjaan
1983 Shayad Meri Shaadi Souten Usha Khanna Sawan Kumar
1984 De De Pyar De Sharaabi Bappi Lahiri Anjaan
1984 Inteh Ho Gayi Sharaabi Bappi Lahiri Anjaan
1984 Log Kehete Hai Main Sharaabi Bappi Lahiri Anjaan
Bengal Film Journalists’ Association Awards

Winner:

  • 1971 – Best Male Playback Singer for Aradhana
  • 1972 – Best Male Playback Singer for Andaz
  • 1973 – Best Male Playback Singer for Hare Rama Hare Krishna
  • 1975 – Best Male Playback Singer for Kora Kagaz



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Rishi Kapoor


Rishi Kapoor (born September 4, 1952 in Mumbai) is an Indian Bollywood actor, Film producer and Director.

Early life

He is the second son of famous film director and star Raj Kapoor.

His brothers are well-known actors: Randhir Kapoor and Rajiv Kapoor. He is father of actor Ranbir Kapoor. Rishi is the paternal uncle of today’s actresses Karisma Kapoor and Kareena Kapoor. He is of Pathan Hindu. And lives in India

Career

Rishi Kapoor first debuted in his father’s 1970 film Mera Naam Joker (My Name is Joker), playing his father’s role as a child. Rishi Kapoor had his first lead role opposite Dimple Kapadia in the popular 1973 film Bobby which became an instant hit with youngsters. He has since then appeared in hundreds of movies. He played the lead role romancing young heroines till the year 2000 with the delayed release of Karobaar: The Business of Love. He moved on to supporting roles with Hum Tum (2004) and Fanaa (2006). He also directed a film Aa Ab Laut Chalen in 1998 starring Rajesh Khanna, Aishwarya Rai,Akshaye Khanna, Kader Khan, Paresh Rawal and Jaspal Bhatti. Recently he appeared in Namaste London and an English-language film titled Don’t Stop Dreaming which was directed by his cousin Aditya Raj Kapoor (son of Rishi’s uncle Shammi Kapoor). He acted with the veteran actor Kamal Haasan in Saagar which was officially sent to the Oscars.

Personal life

Rishi became engaged to Neetu Singh, with whom he had several hit movies, on 13 April 1979 and then married her in 1980. They have two children: Ranbir Kapoor, who is also an actor, and Ridhima Kapoor.

Awards

  • 1970 – BFJA Special Award for Mera Naam Joker
  • 1971 - National Film Award for Best Child Artist for Mera Naam Joker
  • 1973 - Filmfare Best Actor Award for Bobby
  • 2006 - Zee Cine Award for Lifetime Achievement
  • 2007 – MTV Lycra Awards: Maha Style Icon of the Year 2006
  • 2008 - Filmfare Lifetime Achievement Award
  • 2008 - FICCI “Living Legend in Entertainment” award
  • 2008 – Lifetime Achievement Award at the 10th Mumbai Academy of the Moving Image International Film (M.A.M.I)

Filmography

  • Mera Naam Joker (1970)
  • Bobby (1973)
  • Zinda Dil (1975)
  • Raja (1975)
  • Rafoo Chakkar (1975)
  • Khel Khel Mein (1975)
  • Rangila Ratan (1976)
  • Laila Majnu (1976)
  • Ginny Aur Johnny
  • Barood (1976)
  • Kabhie Kabhie (1976)
  • Hum Kisi Se Kum Nahin (1977)
  • Doosra Aadmi (1977)
  • Chala Murari Hero Banne (1977)
  • Amar Akbar Anthony (1977)
  • Phool Khile Hain Gulshan Gulshan (1978)
  • Pati Patni Aur Woh (1978)
  • Zehreela Insaan (1978)
  • Naya Daur (1978)
  • Badalte Rishte (1978)
  • Anjane Mein (1978)
  • Sargam (1979)
  • Salaam Memsaab (1979)
  • Jhoota Kahin Ka (1979)
  • Duniya Meri Jeb Mein (1979)
  • Aap Ke Deewane (1980)
  • Do Premee (1980)
  • Dhan Daulat (1980)
  • Karz (1980)
  • Katilon Ke Kaatil (1981)
  • Naseeb (1981)
  • Biwi-O-Biwi: The Fun-Film (1981)
  • Zamaane Ko Dikhana Hai (1981)
  • Yeh Vaada Raha (1982)
  • Deedar-E-Yaar (1982)
  • Prem Rog (1982)
  • Bade Dil Wala (1983)
  • Coolie (1983)
  • Duniya (1984)
  • Aan Aur Shaan (1984)
  • Yeh Ishq Nahin Aasan (1984)
  • Sitamgar (1985)
  • Saagar (1985)
  • Rahi Badal Gaye (1985)
  • Naseeb Apna Apna (1986)
  • Nagina (1986)
  • Pyaar Ke Kabil (1987)
  • Hawalaat (1987)
  • Sindoor (1987)
  • Vozvrashcheniye Bagdadskogo vora (1988)
  • Vijay (1988)
  • Janam Janam (1988)
  • Hamara Khandaan (1988)
  • Ghar Ghar Ki Kahani (1988)
  • Naqab (1989)
  • Hathyar (1989)
  • Gharana (1989)
  • Naqab (1989)
  • Hathyar (1989)
  • Chandni (1989)
  • Bade Ghar Ki Beti (1989)
  • Paraya Ghar (1989)
  • Khoj (1989)
  • Shesh Naag (1990)
  • Sher Dil (1990)
  • Azaad Desh Ke Gulam (1990)
  • Amiri Garibi (1990)
  • Ghar Parivar (1991)
  • Ajooba (1991)
  • Henna (1991)
  • Ranbhoomi (1991)
  • Banjaran (1991)
  • Bol Radha Bol (1992)
  • Deewana (1992) ….
  • Shreemaan Aashique (1993)
  • Sahibaan (1993)
  • Gurudev (1993)
  • Anmol (1993)
  • Damini – Lightning (1993)
  • Dhartiputra (1993)
  • Izzat Ki Roti (1993)
  • Mohabbat Ki Arzoo (1994)
  • Eena Meena Deeka (1994)
  • Saajan Ka Ghar (1994)
  • Pehla Pehla Pyaar (1994)
  • Prem Yog (1994)
  • Saajan Ki Baahon Mein (1995)
  • Hum Dono (1995)
  • Yaraana (1995)
  • PremGranth (1996)
  • Daraar (1996) …
  • Kaun Sachcha Kaun Jhootha (1997)
  • Jai Hind (1999)
  • Karobaar: The Business of Love (2000)
  • Raju Chacha (2000) …
  • Kuch Khatti Kuch Meethi (2001)
  • Yeh Hai Jalwa (2002)
  • Kucch To Hai (2003) ..
  • Love at Times Square (2003)
  • Tehzeeb (2003) Shabana Azmi
  • Hum Tum (2004) Rati Agnihotri
  • Pyaar Mein Twist(2005)
  • Fanaa (2006)
  • Don’t Stop Dreaming (2007)
  • Namastey London (2007)
  • Om Shanti Om (2007) … Special appearance
  • Sambar Salsa (2007)
  • Airport (2008)
  • Kalash(2008)… Special Appearance
  • Thoda Pyaar Thoda Magic(2008)
  • Luck by Chance (2008)
  • Delhi 6 (2009)
  • Love Aaj Kal (2009)
  • Kal Kisne Dekha (2009)



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Sanjay Dutt

Sanjay Dutt (Hindi: संजय दत्त, born July 29, 1959), is an Indian Bollywood film actor and politician

A two time Filmfare Awards winner, Dutt is the son of Bollywood stars Sunil Dutt and Nargis.

Background

Sanjay is the son of the late actors Nargis, and Sunil Dutt. And he has two sisters, Priya Dutt and Namrata Dutt (Anju). He was educated at the Lawrence School, Sanawar. Dutt struggled with drug addiction while in high school and after the death of his mother in 1981. He even underwent treatment for the same at a drug rehab program in Jackson, Mississippi in the United States which helped him considerably in kicking his drug habit.

Personal life

Sanjay married Richa Sharma in 1987. She died of cancer in 1996. They had a daughter, Trishala Dutt, who lives in the United States.His second wife was Rhea Pillai. Dutt is currently married to his third wife Dilnawaz Shaikh, also known as Manyata. Dutt has entered into Politics.

Illegal possession of arms

According to the judge Kode, Dutt attended a dinner party hosted by actor-filmmaker Feroze Khan during the shooting of Yalgaar in December 1992 in Dubai which was attended by gangsters Dawood Ibrahim and Iqbal Mirchi. On April 19, 1993, Sanjay was arrested for illegally possessing arms purchased from gangsters involved in 1993 Mumbai bombings. He spent 16 months in jail as an undertrial until he was granted bail in October 1995 by the Supreme Court of India.

In November 1993, a 10,000 page long primary chargesheet was filed against the 189 accused in the 1993 Mumbai bomb blasts case including Sanjay.

On December 18, 2001, Sanjay refuted charges of possessing an AK-56 rifle and destroying it. He also denied that Samir Hingora and Ibrahim Chavan had visited his residence in a car laden with arms and ammunition prior to the 1993 Mumbai explosions. In July 2002, Dutt pleaded that the evidence placed by CBI against him was fabricated and hence inadmissible.In his final arguments before the special court, he said that CBI had not produced the original document to show that a call was made from his residence to Anees Ibrahim in Dubai prior to the 1993 Mumbai bomb explosions.[citation needed]

In March 2006, when framing charges against extradited Abu Salem and co-accused Riyaz Siddiqui in the 1993 Mumbai bomb blasts case, the prosecution said that Salem delivered 9 AK-56 rifles to Sanjay at his Bandra house in the second week of January 1993.

On February 13, 2007, the crime branch of Mumbai police arrested Abdul Qayyum Abdul Karim Shaikh, a close aide of Dawood Ibrahim and wanted by CBI Special Task Force for his role in the 1993 Mumbai serial blasts from Mumbai.Qayuum had been named by Sanjay Dutt in his confessional statement. Sanjay had said that he met Qayuum in Dubai in September1992 and bought a pistol from him. According to CBI, the pistol was sold to Sanjay at the instance of Dawood’s brother Anees Ibrahim.

On July 31, 2007, Dutt was sentenced to six years rigorous imprisonment for illegally possessing three AK-56 rifles, a pistol and ammunition obtained from the Mumbai underworld. At the same time, Dutt was also “cleared of terrorism conspiracy charges in the blasts” related to the 1993 bombings. According to The Guardian, “The actor claimed he feared for his life after the notorious “Black Friday” bombings, which were allegedly staged by Mumbai’s Muslim-dominated mafia in retaliation for deadly Hindu-Muslim clashes a few months earlier. But the judge, Pramod Kode, rejected this defence and also refused bail.” Dutt was immediately taken into custody and sent to Mumbai’s Arthur Road Jail. As the sentence was pronounced, Dutt was “visibly shocked and was seen shivering and holding back tears”.[9]

On August 2, 2007, Sanjay Dutt was moved from Arthur Road jail in Mumbai to the Yeravada Jail in Pune.[17] On August 7, 2007, Dutt appealed the sentence. Later, on August 20,2007, the Supreme Court of India granted Dutt interim bail.He was released after Yeravada Jail authorities received a copy of the court’s bail order. The bail was valid until the time the special TADA court, which sentenced Dutt on July 31, provides a copy of its judgment to him. Dutt was released from jail on August 23. On October 22, 2007 Dutt was back in jail but again applied for bail. On 27 November 2007, Dutt was granted bail by the Supreme Court. [21] He currently has an appeal for an acquittal pending. In January 2009, Dutt announced that he would contest the 2009 Lok Sabha elections on the Samajwadi Party ticket. However, he withdrew his candidacy in March, 2009 after the Supreme Court refused to suspend his conviction

International Humanitarian Initiatives

On 16 December 2008, Sanjay Dutt was appointed a goodwill ambassador for the Intergovernmental Institution for the use of Micro-algae Spirulina Against Malnutrition (IIMSAM). He will be promoting the use of spirulina to help the organization’s fight against malnutrition and hunger. His role will also support the United Nations Millennium Development Goals by mainstreaming the use of spirulina.

Career

Dutt’s debut film was the 1981 film Rocky, which was produced and directed by his father, Sunil Dutt. Dutt went on to appear in numerous other films, including Vidhaata (1982), Naam(1986), and Hathyar (1989). His breakthrough role came in Subhash Ghai’s Khalnayak (1993), for which he received a Filmfare Awards nomination.




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